The
Encyclopedia of Picture Framing Techniques
A comprehensive guide to
traditional and contemporary techniques
Robert Cunning, Sterling Publishing Co, Inc.
176 pages, all in color, $14.95US/$22.95CAN
Introduction
The title says it all, although it’s not
produced like an encyclopedia, it does cover a wide variety of picture framing
techniques, taking you from the basics to more specialized and advanced
techniques. It includes a photo gallery of frames that range from common to
eclectic, traditional to modern.
Details/Review
Chapter 1 Materials and
Equipment: Rating 4/5
The book begins from the assumption that you own little to know tools and
then goes on to cover the basic tools need for framing. This includes sharp,
modern, color photographs with detailed descriptions of each item and how it is
used. The author also does a nice job at providing more than one tool example to
accomplish the same job, such as the different type of mat cutters. He explains
the differences between the simple inexpensive models to the costly advanced
versions and how you would need to implement them. This chapter also covers the
five basic parts of a frame (backing board, picture, mat, glass, and frame) and
the primary categories of moldings. One glaring omission: there is only one
brief mention of power miter saws.
Chapter 2 Making a
Simple Frame: Rating 3/5
The chapter begins with cutting the mat, which
after reading through the book, you’ll discover is one of the most challenging
tasks in framing a picture. The author covers several different methods in
cutting a frame from a standard knife to an expensive professional cutting
system. Next is cutting and joining the frame, and looking at this book from a
woodworker’s point of view, this was both inspiring and frustrating. It was an
inspiration in that the displayed techniques sent my creative thought process
into motion and gave me direction as to what type of frame I would like to
design and make. It was frustrating seeing how the cutting and joining process
was oversimplified. The uninitiated in the skill of cutting and joining small
pieces, especially mitered pieces, will be very disappointed at how the process
has a higher than normal learning curve. And God help you if you skimp out on
any of tools presented and opt for the wooden miter box to produce a tight
fitting 45° angle. I can just see the weekend hobbyist throwing this book and
the miter box across the garage!
This chapter has another flaw due to the author being too general: how to
determine the depth of cut for the rabbit to hold the glass, picture, mat, and
backing is never mentioned. As for joining a mitered corner there are far better
ways to do so than the methods described in the book. Although they will all
certainly work, I can come up with four methods that use better materials and
will produce a higher quality joint with no more experience or tools needed than
the methods described in this chapter. The following sections cover cutting
glass and assembling the pieces. It is well written, and easy to follow.
Chapter 3 Advanced
Carpentry: Rating 3/5
Here we go, now I was ready to learn something!
The opening topic on homemade profiles was excellent; the advice was right on
and useful for beginners through advanced alike. The author mentions using
preformed moldings like those readily available at your local home store and
more advanced ideas like making mirrored inlaid banding from inlay veneer. I was
very upset over the light mention of how to use a router to make profiles. It
was very oversimplified and I believe it could lead a person to serious injury
without further mention of a necessary learning curve. Advanced joinery was
another useful topic although it was lacking in many common techniques used by
many woodworkers.
The section on ornamental extended corners was very interesting but should be
left for the advanced framer/woodworker. I also believe that his method for
making ovals and circles is far more difficult than it needs to. The following
section on slips, box frames, and floating frames is really fun and is a section
that woodworkers can shine. However, here we once again run into that
"depth of the rabbit" problem. It’s never mentioned and I kept
wondering what is an acceptable amount of space to leave, if any at all, between
the backing board, the item in the frame, and the glass. The section on
multisided frames (those being more than four sides) is another poor section
that will lead the beginning and even many intermediate readers down a dark
path.
Chapter 4 Decorative
Mats: Rating 5/5
What a great chapter, I learned a new way to draw
an oval, that’s simple and uses a compass, nail, and thread, why the bottom
"stile" of a mat should be wider than the top, and how to figure the
proportions for mats with multiple windows. The section on double and triple
mats, and making unusual shapes was equally useful, as were the detailed
descriptions about the variety of matboards. The section using other materials
in place of matboard got me to thinking about using wide pieces of veneer.
Chapter 5 Wood and
Wood Finishes: Rating 4/5
This chapter covers basic domestic woods (assuming
you live in the UK or Europe!) and what you can do to cover them in stains and
finishes. The one glaring error in this chapter is the assertion that veneers
can only be used on flat or gently curved moldings. The author needs an
education on bendable veneers! There was also a nice side bar on building your
own mini-fuming tent. My mind went right to using it for small piece work as
well as frames. The section on stains was basic at best and does not even take
into account the many differences in staining different species of woods.
Additional techniques such as graining and pickling are covered in useful
detail.
Chapter 6 Paint
Finishes: Rating 5/5
Admittedly, being the purist I am, I had a hard
enough time reading about staining, but painting, ugh! Why cover wood, it’s
already beautiful. I will give the author credit where credit is due. All
sections in this chapter were informative and full of relevant details. This
included a great chart about painting and varnish qualities and uses. There were
several "high-tech" sections covering decoupage, verdigras, marbling,
and lapis lazuli.
Chapter 7 Guilding:
Rating 4/5
This chapter taught me a good deal about a topic I
knew almost nothing about. Although it didn’t interest me enough to want to
try guilding I did get a number of great ideas from the section on engraving. My
mind moved to pyrography. For those of you who love that Mediterranean look,
there’s a wonderful section on burnishing clay and pastiglia. I was surprised
to find no mention to carving or use of chisels to gain an added effect.
Chapter 8 Restoration
& Repair: 5/5
A good chapter but be forewarned, this topic is
for those of you who truly appreciate mind-numbing, detail oriented,
time-consuming work! Everything from replacing broken ornaments, cleaning wood,
and basic repair is covered in good to great detail. The section on cleaning
wood is especially useful to woodworkers in that many of the techniques can be
applied to cleaning up recovered wood.
Chapter 9 A Gallery
of Frames: 5/5
Simply stunning. There’s something here to
appeal to everyone and to get your creative mind moving. I especially
appreciated the broad variety of art styles to help demonstrate the use of the
frame and mats. There is also a comprehensive glossary and index that makes this
book a truly resourceful volume.
Production
This is where the book shines, the quality of all
color photographs, the way the layout flowed from page to page, and the
breakdown of sections within chapters made this a great addition to contemporary
arts and crafts DIY books. All pages are high quality semi-gloss color pages.
The only gripe is a "stay open" binding that never really stays open
and only serves to rip the pages from the binding.
Conclusion: Rating
4/5
I enjoyed reading this book and it certainly
inspired me to go out and start building some frames. Although I was a little
disappointed over the vague descriptions in some of the sections, I thought the
low cost and high production values helped balance the scales. I wouldn’t
recommend it for absolute beginners, but for everyone else it’s a good buy.
Disclosure statement: The Woodworkers Website Association provided this book to promote this review.